The Shane Cleary Mystery Series
The Big Lie
LOST: Poodle. Standard. Black. Studded collar. No tags. Goes by the name of Boo.
CHAPTER ONE: BROTHER RAT
“A dog? You want me to find a dog?”
“That’s right.”
The head lifted, and eyes the color of Windex evaluated me. The slice of light from the streetlamp through the curtains behind him revealed a revolver on the armrest and a pair of pliers in one hand, which he squeezed to strengthen his grip. He used them to extract teeth from his victims. Whether he did it when they were alive or dead added to the legend and menace of Southie’s most infamous son. Another man stood near him.
I’m told life serves you the same lesson over and over until you learn what you need to learn before the next thing comes along. I’ve also been told that karma never forgets an address. Jimmy was proof of both. He almost killed me but didn’t. I should’ve killed him, but I couldn’t because he was protected, and not by the mob. A stained badge shielded the man sitting in my chair, in my apartment in Union Park.
My landlady had called me at Bonnie’s place. She told me I had visitors, and they wanted a word with me. She said Jimmy made a point to pet her two Corgis and offered her some advice. The thug recommended a brand of dog food so her dogs wouldn’t gain more weight. He emphasized canine physical fitness, which was pure Jimmy since he was a fitness nut.
Jimmy had muscles because like most of the young lions in Southie, he lifted weights. He sported a veined neck, muscular arms, and a thick chest trapped inside a tight polo shirt. I knew if I couldn’t take him, I was confident he’d feel me for days. We both weighed about 165 pounds, but I had a smidge more height to his five-eight. I had one more advantage over Jimmy, I could stand my ground and take a hit. Jimmy, like most jockeys of the weight room, walked around with toothpicks for legs because he neglected to train them. His pant leg rode high enough for me to eyeball pasty shins, black socks, and sneakers. No ankle piece there.
I read the room as I came in. The situation would play out in one of two ways. One is someone pulled a trigger, and my last thought was either part of the hardwood floor or, my brains were spaghetti against the wall and ceiling. The second option was I lived, forced to listen and learn how to avoid the same situation again. Like I said, a lesson in life and karma.
Jimmy murmured something to his bodyguard. It was low and slow, the kind of soft and secretive Irish whisper you’d expect in a bar’s last hour. I assumed he’d told his man to wait outside because the guy moved past me. The door to my apartment opened and closed. I didn’t see his face but caught a glimpse of the feet. Construction boots.
The pair of pliers indicated the chair near me. “Sit.”
“I prefer to stand.”
“Suit yourself.”
I peeled my jacket off, so he’d know I was armed. His eyes admired the holster. I knew what he was going to say, so I said it before he did. “Same rig as Steve McQueen in Bullitt.”
“Cross-draw don’t seem bright or effective.”
“Want to test me?”
His right hand pulsed with the pliers. A blued steel .357 slept on the left armrest of my favorite chair. His choice of firearm was an older model, not the kind Dirty Harry would carry, but it got the job done. Jimmy was right-handed, but that wasn’t the point. His eyes flashed, as a way to taunt me, and then focused. “Nah, I don’t feel lucky today, and all I want is for you to find my dog.”
“On second thought,” I said, “I think I’ll take that seat.”
“Excellent, we can have a civilized conversation then.”
I get all kinds of crazy for clients because my retainer and daily rates are reasonable. Paranoid businessmen hire me because they suspect a partner or a favorite employee is a thief. Neurotic spouses hire me because they see a frequent-flyer for a phone number on the bill from Ma Bell, or odd charges on their dearly beloved’s statement from American Express. Bonnie told me family law was the worst, and I agreed, but it pays the bills.
I’ve listened to more sob stories and provided more free advice than Ann Landers. In short, I’ve handled embezzlement, fraud, infidelity, and on occasion, missing persons, in addition to arson, murder, and narcotics. But this pitch to find a canine—a variation on a missing person or property—was new.
Jimmy, who didn’t like to be called Jimmy, was an extortionist, a murderer, and South Boston’s premier gangster, so it was hard for me to picture him heartsick over the absence of man’s best friend.
He said, “Don’t you have a cat?”
“Delilah.”
“Delilah, that’s right. You would be upset if she went missing, wouldn’t you?” His hand waved, pliers and all. “There’s a name…Delilah, as in Samson and Delilah. A female dog is called a bitch, but I never did learn what they called a female cat.”
“A molly.”
“You know, I’ve never cared for cats. Loyalty issues, moody and temperamental.”
“Rather ironic coming from you. Cats are excellent judges of character.”
“And what do you think your Delilah would say about me, if she could talk?”
“You wouldn’t want to know. Can we wrap this up?”
Delilah, he didn’t know, could talk. Sort of. She blinked once for Yes, twice for No, and meows were extra for emphasis. If she’d seen Jimmy now, she’d turn banshee and caterwaul profanities.
“You want me to find a dog?”
“A dog.”
“Your dog?”
“My dog.”
Jimmy had never been talky, or loud, but he commanded every room he was in with an unnerving silence. He neither drank nor smoked or used drugs. His mother was alive, and he looked after her like a doting son. His brother was successful on the other side of the tracks, in politics, and Jimmy went out of his way not to cast a shadow on frater eius.
“I’m aware that Shane Cleary doesn’t need my money. I know he does all right as a landlord for his Greek friend, with steady income from tenants, and this PI thing is something he does for kicks, to try to make life interesting.”
Those blue eyes sparkled in that truant light while he talked about me.
“Are you suggesting all that could vanish if I don’t take the case?”
“Not at all,” he said. “All I’m saying is I know things about you; things you might not know about yourself, things like personal history, and I don’t mean your falling out with the Boston Police Department.”
“Good to know, but I’m waiting for the other shoe to drop.”
“You were too good for them, like you’re too good to work for that dago in the North End.”
“And there it is. I earn my money, and you know it, Jimmy.”
“Yeah, you do. I had to say it before you tell me my money is no good.”
“Money makes the world go round,” I added.
“That’s right. Money does, and it’s all-American as apple pie.”
“I know your story, and you say you know mine. What if I don’t care what you know?”
“I do, and you will care about what I know. Speaking of I do, how come you haven’t asked that lawyer broad you’ve been seeing to marry you?”
“She doesn’t believe in marriage, and none of your business.”
Jimmy was a career criminal, and not someone I would associate with domesticity. Women close to him have disappeared, and yet there was little to nothing in his jacket for other misdeeds, thanks to his agent friend. Any priors going back to his teen years—like larceny, a spatter of robberies with a dash of assault and battery—was smoke on the water.
“Work this one case for me, Shane. It’s all I ask. I’ll pay you your rate and throw in the personal history as a bonus, if you’ll find my dog.”
“Personal history?”
“You haven’t read or seen it. Trust me, this is something you don’t know.”
“You said it yourself. I don’t need the money. As for your teaser about history …what if I don’t care?”
He stared at me. He was Windex and I was dirty glass.
“You will, I promise. That’s your problem in life, Shane Cleary. You care, and this one time, Jimmy is gonna set you straight.”
Jimmy was volatile as a bucket of gasoline, he liked to test boundaries. All he needed was fumes and a lit match. Like the time someone called him Old Blue Eyes in one of the taverns on Broadway. The poor souse probably meant it as a compliment after one too many beers. Jimmy didn’t see it that way. He especially hated Sinatra, the way he detested all Italians, so he stomped the guy’s face in.
His eyes glanced down at the weapon under my arm. The holster was such that the gun pointed up at the armpit. His eyes met mine. “Did you know my old man lost an arm? Crushed between two rail cars. You would’ve liked him, Shane. He was a quiet, proud man, what we would call socially conscientious today He’d clerk here and there at the Naval Yard, but he never worked a full-time job after he lost that arm.”
“Tough break.”
“Our fathers had something in common.”
Being Irish was my first thought, but I waited for it through tight teeth. I wanted to punch him in the face for making any comparison between us. I thought, I should’ve killed him when I had the chance. I wouldn’t lose sleep over it, either.
“We’re alike, you and I,” he said.
“First the teaser and now, flattery. I’ll bite. How do you figure we’re similar?”
“We’re both damaged. You came home from the war changed, like your old man.”
I couldn’t resist. “I went to Vietnam. What’s your excuse?”
That made him smile and say, “Know how we’re alike?”
“Don’t know, Jimmy. Maybe, some people would call us rats: me for my time with the BPD and you, well, you know.”
His face didn’t flinch or register emotion.
“We’re alike because we both believe we’re doing the right thing.”
I waited for the rationalization, how what he was doing with the FBI helped South Boston, his people, the maligned Irish. Jimmy was a psychopath, and his line of thinking was a special aisle at Toys “R” Us.
“I’m doing my part to clear this town of those wop bastards. No different from you cleaning the stables at the Station House, like when you testified against that crooked cop.”
“People within the department were crooked, Jimmy. He killed a black kid and staged the scene. There’s a difference.”
“‘Potato, potahto, tomato, tomahto.’ Say what you will. Call me an informant. A snitch. Call me a rodent with whiskers and sharp teeth, but go look in the mirror, and tell me what you see, Brother Rat. Tell me how we’re not alike.”
“For starts, I was an only child. You weren’t.”
“You’re right. My brother, the smart one, helped me as best he could, like that teacher, that professor helped you.” He snapped his fingers. “What was his name?”
“Lindsey. Delano Lindsey.”
“Did you know I taught myself the classics? I did it, with a library card. See, we’re both strong on initiative and self-education. You look to me like you’re a man hot for Shakespeare. I bet you can quote something from the Bard. How ’bout it?”
“‘The Prince of Darkness is a gentleman.’ Lear.”
Jim wagged a finger. “That’s good, but let’s talk shop now.”
“Talk about your dog?”
“No, personal history. Your old man went the way of Hemingway, didn’t he?”
My blood rose. Several long seconds died between us, about the amount of time it took for one of Ray Guy’s punts to land downfield.
“I’ll let you in on something you didn’t know about the day he did a Hemingway.”
Through clenched teeth, I told him, “I know all I need to know about my father, thanks.”
“Do you? ‘To you your father should be as a god.’ Midsummer Night’s Dream.”
Jimmy rose and took his jacket. He dropped the pliers into a pocket and hung the jacket over his left arm. He inserted the gun into his waistband behind him. I sat there numb, confused, and intrigued. He said his man was outside, waiting in the car. Jimmy drove a black Mercury Grand Marquis.
He reached the door when, against my better judgment, I asked the question that betrayed my interest in the bait, his lure about personal history, “Where was the last place you saw the dog?”
“Roxbury. Dog groomer.”
Jim rattled off the address while my mind tried to picture him dropping off his pet in the black section of town. I had to ask him. “This dog have a name?”
“Boo.”
“As in To Kill a Mockingbird.”
“Righto.”
“One last thing,” I said. “Breed?”
“Poodle. Standard. Black. Studded collar. No tags.”
Sun Tzu may have said, ‘Keep your friends close; keep your enemies closer,’ but he didn’t live in Boston, he’s not Shane Cleary, and Shane’s latest and most unexpected client is Southie’s most dangerous criminal.
The man who almost killed Shane wants to hire him, but Shane is more interested in Jimmy’s ‘bonus for a job done well and discretely—information about his father’s death.
His cat Delilah is against it, his girlfriend Bonnie the lawyer doesn’t know.
Everything screams he shouldn’t take the gig, but Shane can’t resist Jimmy’s ‘incentive.’
Life is neither easy nor simple for Shane. Bonnie asks for help on a pro bono case, friend Bill wants a background check, mafia henchman Tony makes a peculiar request, and Shane can’t help but think his client just might kill him anyway after he finds the dog.
Does Jimmy know a Truth that will change Shane’s life, or is it a big lie?
Reviews
“Gabriel Valjan writes in a voice not heard since the golden days of the noir novel. His tough characters—good guys, bad guys, and confused folks just caught in the whirlwind—sparkle like the facets of a dark jewel, and his images linger in the mind after the book’s long over.”
— SJ Rozan, best-selling author of THE MAYORS OF NEW YORK
“If Raymond Chandler were alive today, this is the story he’d write: Great characters, a noir-ish plot that never flags, writing that sizzles, and a relevant tale of the ways in which justice is, sadly, not blind.”
— Mally Becker, Agatha nominated author of THE PARIS MISTRESS
“Whip-smart, pacy, and full of curves. A worthy addition to the PI oeuvre.”
— Colin Campbell, Acclaimed author of the Jim Grant thrillers
“When you begin a crime novel with PI Shane Cleary getting hired by a gangster to find a stolen pooch, a standard poodle named Boo, there are several ways you can go, and most of them are downhill. Fortunately, Gabriel Valjan is at the helm of THE BIG LIE, which guarantees it heads in the right direction. Up. The dialogue is snappy, the retorts witty, and along the way we meet a host of unforgettable characters—hey, it’s Boston, what else would you expect?”
— Charles Salzberg is the award-winning and Shamus Award-nominated author of SECOND STORY MAN, CANARY IN THE COAL MINE, and the Henry Swann series
Liar's Dice
Boston might be white with snow, but there’s nothing but a winter’s darkness for Shane Cleary, a former cop, veteran, and reluctant PI.
I heard the slap of the Boston Globe on our doorstep.
It was seven-thirty and Bonnie had already kissed me goodbye. It was a kiss. A long, slow kiss to make a man lose his dignity. I begged her to stay home, to play hooky from work and give the boys in the office a reprieve. She told me she couldn’t. I watched her walk out the front door. Her perfume may have hinted of spring but the mercury in the thermometer said winter.
The phone rang and interrupted my trip to the front door for the paper. I answered on the second ring.
“Glad you’re still there,” she said.
“Bonnie?”
“I’m at a payphone on Comm. Ave.”
“Forget something?”
“I noticed a Cadillac parked across the street when I left.”
“It’s a car that stands out, I’ll give you that, but what’s the problem?”
“The man inside the car. He’s getting out.”
“I thought I was the PI and you were the lawyer.”
“I’m serious, Shane.”
“So am I. Okay, I’ll play. Describe him to me?”
“Six-six. Menacing. Dark winter coat. He’s headed to our door. Wait, he’s stopped.”
“He stopped?”
“To light a cigarette, but he’s not having any luck. He keeps trying with his lighter.”
“Tony Two-Times.”
“That’s Tony Two-Times? Not exactly subtle, is he?”
“It goes with the job description.”
“Oh my god, Shane. He’s reached into his jacket.” I’d never heard Bonnie’s voice hit that note, not even during sex, though in my defense, this was panic and not ecstasy. We were nearing our anniversary, and I suppose months of cohabitation or what the Census Bureau calls POSSLQ or Person of Opposite Sex Sharing Living Quarters had eroded her tough exterior.
“Never mind,” she said. “It’s a newspaper. I thought he might’ve had a gun.”
“Go to work, Bonnie.”
I did the rude thing and hung up on her. It’s not that I wanted to do it, but Tony Two-Times, uninvited and unannounced, was not the same thing as the guy at your door with the news you’ve won the Publishers Clearing House Sweepstakes. Tony was a ‘friend’ and the mob always sent your friend to kill you. I moved fast and pulled my .38 out of the holster, hidden under a coat on the rack. I opened the door and kept the revolver behind my back.
The cold air punched my lungs and my eyes watered. I found Tony doubled over, picking up my Boston Globe. When he stood upright, he blocked the wind and the sun. An unlit cigarette stuck to his lower lip. “You gonna invite me in, or what?”
I stepped aside, back against the door. He pressed the paper into my chest. I put a hand over it. He paused before he stepped in. His dark eyes bore into me. “Relax, Cleary, and saddle the Colt you’re hiding behind you.”
“You could’ve called.”
“This conversation is best in person, face to face.”
“If you say so, Tony.”
“I say so. I’ve gotta job for you.”
Tony had tapped one foot against the other to knock off any snow, salt, or sand. He took the cigarette from his lips and pocketed it. He wiped his feet on the small mat, and took off his hat and coat and hung them on the coat rack. I holstered my sidearm and directed him to the kitchen. He walked down the hallway, talking. “You really thought you needed to draw your piece on me?”
“You weren’t what I expected with the morning paper.”
I tossed the Globe onto the table in the hallway. He held up his newspaper. “I picked up a rag myself this morning, except it’s not a Boston paper. It’ll help you after our talk.” He could see me doing the calculations behind my eyes. “Out of town paper?” I said.
“New York Times.”
“‘All the News That’s Fit to Print.’ Those are the seven most famous words in American journalism. Coffee?”
Tony said he’d like some. “They might be the seven most famous words for desk jockeys who write about what happens to other people, but the operative number for our conversation isn’t seven, it’s five.”
Tony would’ve made a great writer and scared the hell out of Hemingway at the same time. His sentences were declarative, loaded with nuance and innuendo, and terrifying. I took his number as the clue to our version of the game Password on television and chose my answer with care. “Five as in the five families?”
“I wouldn’t know what you’re talking about. Hoover himself said there’s no such thing. About that coffee?”
Tony sat at the kitchen table while I scooped coffee out of a can of Bustelo and banged all kinds of angles inside my head. Why Tony or his boss, Mr. B, needed me for anything involving organized crime in New York was beyond me. I was a civilian, and the mafia didn’t look to outsiders the way companies hired auditors for their objective opinion.
“What’s with the Cuban coffee?” Tony asked.
“Wanted something different, and Bustelo is from the Bronx.”
“No kidding. Now, there’s clever marketing for you,” Tony pointed to the Mr. Coffee machine on Bonnie’s counter. “You need to get yourself a Bialetti.”
“A what?”
Tony wrung his hands as if he were choking an imaginary chicken. “Twist-top coffee maker for the stovetop. What you’re doing there is an injustice to the coffee. Press the button to brew the coffee and sit down, please. I haven’t got all day. Next time, I’ll bring you a Bialetti, but for now, we talk. The rest you’ll understand after I leave and you read The Times.”
The water dripped behind me and stung the grounds to release a strong, robust song of caffeine in the air. I pushed aside his copy of the New York Times. “Say what you gotta say, Tony.”
“You still doing that management thing for your Greek friend?”
“Rental properties, yes.”
“But your other friend restored your PI license, right?”
I hated rhetorical questions. This conversation reminded me of my days as a cop, when we’d sweat someone in the Box. It’s all a game of set ’em up and knock ’em down, like dominoes. Lawyers call it establishing the foundation of their argument. Hunters call it a turkey shoot, and the army, an ambush. By ‘other friend’ Tony meant the Commissioner of the Boston Police Department, who had left the city for good.
“I have my PI license and I manage properties. Why?”
“I’ll get to that in a second. Some coffee, please.”
I was thinking while I filled two mugs. Agatha Christie’s detective Poirot used his ‘little gray cells’ in his cases but the Belgian had never matched wits with a Sicilian mafioso. If Mr. B sent Tony to hire me for a case that required my PI license, the job hinted of something legit, but I knew better. The license was for show. There’s nothing kosher out of Boston’s Italian North End where Mr. B held court. I slid the coffee in front of Tony.
Tony sipped and made a face. “You oughta get clipped serving this, but I’ll give you a pass.”
“You were saying.”
“This friend of yours left with his friend.”
Mafiosi were not obtuse; they were oblique, spoke in code, and Tony was no exception.
“Yeah,” I said. “He left and took his Shadow with him, but not before giving the city the middle finger and dropping a six-hundred-page report about corruption on Mayor White’s desk.”
Tony didn’t blink. He was used to nicknames. The Shadow was the Commissioner’s right hand man, his ambassador, so to speak. He finessed things.
“Fuhgeddabout the report,” Tony said. “That’s nothing but stand-up material for the politicians. Don’t worry about it.”
“Do I look worried?”
“What about this other friend, the one who drives the crappy car?”
“Pinto isn’t a friend.”
I could see concern register on Tony’s face. Pinto was not a cop. Pinto had been the middleman between the Commissioner and me. He was the guy left behind when the Commish and Shadow left. Pinto was the child with abandonment issues, the man who might want revenge.
“Not a friend, okay,” Tony said and then asked, “Is he an enemy?”
“Where’s all this going, Tony?”
“Let’s say, the fewer the liabilities, the better. In this landscape you described, the only people who’d want to put a line through your name are the cops, on account of the bad blood between you. All of this simplifies the situation.”
“Thanks, Tony. For a minute there, I thought you were Tip O’Neill or Ted Kennedy. Your compassion and eloquence have me mesmerized and overwhelmed.”
“There’s no need for sarcasm.”
“Get to the point, Tony. I’ve sheltered you from the cold. I listened to you stall the job description with riddles, and I’ve served you bad coffee. What does Mr. B think I can do for him?”
Tony sat there, mug midway to his face, and his eyes, lifeless as a great white shark. Anybody who talked to him the way I did would’ve been Gloria Grahame to his Lee Marvin in The Big Heat, the recipient of scalding hot coffee thrown into their kisser, and that would’ve been the start of the festivities. Instead, his mug touched wood. Tony placed one large hand on top of the other and said, “The job is to find Sally.”
Tony stared at me. There was no life preserver thrown into the water here, no nothing. It was sink and drown until I figured it out. I saw a sliver of moonlight in the dark and nothing more. “His nephew?”
“One and the same.”
Sal, when I had met him, was introduced to me as a driver, a protégé. His true identity as Mr. B’s relative wasn’t revealed to me until much later, and Sal was already gone, off in the distance, exhaust smoke in the air. In his brief visit to Boston, he had paired up with my friend John’s niece, who was on vacation from Canada on account of ‘family problems.’
“He’s missing, and he’s not.” Tony didn’t even blink when he said it.
“What does that mean in English or in any other language?”
“The kid took off with the girl.”
“Are you telling me you want me to cross our northern border and poach him?”
“Nah, we have people who can do that.”
“Then what is it? Mr. B not keen on an interracial relationship?”
“Hey, we’re not racists.” Tony held up a finger. “You can fuck whoever you want, but who you marry, that’s another story.”
I wanted to say the NAACP Humanitarian Award just walked by. What I did say was, “If it’s not the love life of said nephew then what is it, Tony?”
His fingers danced on the rim of the coffee cup. He was framing his words, rather than repeating whatever Mr. B told him. Our eyes met and he said, “I need to be careful about how I say this, so you don’t get jammed up.”
“Jammed up?” I said. “Did you forget that most of Boston’s police department wants me inside a body bag?”
Those dark eyes again. “Mr. B believes ears are listening. That’s one problem. Understand? He wants this matter looked into, on the outside, with nobody on the inside knowing about it. This relative, he is reputed to be involved in drugs.”
“Reputed?”
“Alleged,” Tony said.
“Using or dealing?”
“Therein is the dilemma, my friend. We don’t know.” A finger waved liked a metronome. “Mr. B is anxious about keeping this inside a box until he knows what is what. You know, the enemy within and without. There are rules, you see.” The finger swept left to right, and right to left. “Dealing is an automatic death sentence. No higher court. No appeals.”
I realized that I hadn’t tasted my coffee in front of me. I was still in the dark as to what Tony and his boss thought I could do for them. I went to say something, but Tony held up his hand. “It’s not that Mr. B doesn’t know where the kid is. He think he does. The issue is the girl.”
“Vanessa?”
Tony blinked. “Look at this one of two ways. She is the niece of your friends, the couple in Dorchester, and Mr. B does business with her uncle, John, out of friendship with you. Mr. B is worried that this has the potential to become personal. If Sal is doing the wrong thing, he’ll pay the consequences. He knows the rules. That’s one thing. Now, if she is mixed up in this business with him, that’s another thing. She’s collateral damage. We both know John would retaliate, and we both know who’ll win that confrontation. You follow me?”
“I do.”
I was impressed with Tony’s delivery. The dilemma inside this enigma was no riddle at all. The mystery was who would die. There’s no friendship in the mafia. It’s a life of endless treachery, of eliminating rivals and claiming territory. I was in no position to refuse a request but I wasn’t about to be mistaken for a jackass in the king’s stable either. I’d have my say.
“I think I see what the real problem is here.”
Tony pulled his head back. He hadn’t expected that. “You do?”
“A hypothetical question since Hoover said this thing of yours doesn’t exist.”
“Sure, what’s the question?”
“Drugs are forbidden, right?”
“Correct.”
“If Sal wasn’t dealing but using, then that would make him a junkie, and it’s simple.”
“Simple how?”
“He’d go to rehab.”
Tony hesitated before he answered. “Yeah, he’d go to rehab.”
“However, you said something, Tony. You said he knows the rules. You said dealing drugs were an automatic death sentence, right?”
“That’s correct.”
“And not even his uncle could save him or give him a pass, like you did with me over this bad coffee, right?”
“I was joking about the coffee, but yeah, he can’t save him.”
Like a character actor with a prop, I moved my coffee mug. I’ve done it for effect a thousand times with suspects when I was a cop. Tony’s eyes followed it. I had his attention. Now I was the one who wagged his finger. “I’m not buying it.”
“Buying what?”
“The concern for John, this out-of-friendship crap you’re shoveling, nor am I buying the argument about Vanessa as collateral damage because we both know you and Mr. B would do whatever needs to be done. John, his wife Sylvia, and their niece, Vanessa don’t matter. They’d disappear, stuffed into oil drums and dropped into Boston Harbor. End of story. They don’t count because they’re black and they’re not Italian, but that’s not the real issue here, is it?” I decided I’d let the lug process what I said to him.
“I gave it to you straight.”
I tapped the table with my forefinger. “Answer me this question then.”
Tony pulled the cigarette out of his shirt pocket. I knew the lighter was inside his coat in the hallway. He was nervous. “Ask me,” he said.
“Simple question. You said Sal knew the rules. My question is, was Sal made? Was he put up for membership?”
“You know I can’t talk about that.”
“Right, because of omertà, the code of honor and silence.” Tony’s mouth moved. I put my finger to my lips. “Listen, and don’t talk. This way, I come to this on my own, and you don’t violate your oath. Understand?”
Tony raised both hands, in surrender. “You talk and I listen.”
“If Sal were a civilian and using, then the solution is to send him to rehab. True?”
“In a nutshell, yes.”
“But if he’s a made man and dealing, then he has broken a major rule. Correct?”
Tony glared at me. “We’ve been over this.”
“The penalty? I want to hear you say it, Tony.”
“Death. On the spot.”
“And nobody can save him?”
“You know the answer to that question. What is your point?”
I held up two fingers. “First, I’ll assume that if he were made, the sponsor, the guy who vouched for him, is our mutual friend. Point number two is our friend is concerned with the walls listening and eyes everywhere watching.”
“Are you done?” Tony asked.
“No,” I said. “We both know our friend would give the order in a heartbeat, if he learned that his nephew was dealing.”
“What are you saying, Cleary?”
“You called the situation a dilemma earlier. Dilemmas come with horns. One horn is he’s worried that his colleagues will learn about his nephew dealing. You used the term, the enemy within.”
“You listen good,” Tony said. “Anything else?”
“Yeah, the enemy without is the second horn,” I said. “If he’s not dealing and only using, that makes him an addict and an addict is unreliable, not the kind of person you’d want around suits asking a lot of questions about his uncle. But, get to the kid in time, send him off to detox. Problem solved. If he’s a dealer, though, we have someone who has to worry about the cops, the Feds, and his competition. Serious liabilities. Grave concerns. If he is pinched, he might squeal for a deal. Tell me, Tony, what’s the penalty for someone who brings a rat into the organization?”
“Death.”
“Death for whom?” I said and cupped an ear. “I can’t hear you.”
“Death for the rat and for his sponsor.”
“And there it is, death to them who have brought shame and dishonor to the family.”
“Does this mean you’ll take the case?”
There’s an international war within the mafia over drugs, and Shane Cleary has been asked to find the nephew of the local crime boss. When federal agencies descend on the city and order the police department to stand down on a homicide, the BPD reaches out to Shane for answers.
Shane’s past in Vietnam comes to haunt him when the corpse of a veteran is found on Boston Common, frozen to death in front of the State House. Then, a former army buddy comes to town looking for justice. His presence endangers all that Shane holds dear.
Shane must come to terms with a side of himself he thought he had left behind. The mounting body count and circumstances compel him to play a game of Liar’s Dice. Can he deceive and detect deception around him? Protect those he loves, while he solves the cases?
Reviews
“Warning: Pick up a copy, turn the page, and you’ll be hooked. Liar’s Dice ticks the boxes: an interesting tale that’s economical and tight, descriptions that are full and rich, dialogue that’s real, and characters that spring to life. Gabriel Valjan just has a way of making every word count.”
—Dietrich Kalteis, winner of the 2022 Crime Writers of Canada Award of Excellence for best novel
“Liar’s Dice is a blast! Mobsters, Vietnam, assassins, and 1970s Boston, not to mention sharp characters, witty prose, and a twisting-and-turning plot. A great read with a message that will stick with you long after you put it down. Do yourself a favor and get this fantastic novel.”
—David Heska Wanbli Weiden, Anthony and Thriller Award-winning author of WINTER COUNTS
“Gabriel Valjan is the godfather of organized crime fiction and Liar’s Dice is all the proof you need.”
—James L’Etoile, author of the Detective Nathan Parker series
“Gabriel Valjan writes like a poet but his PI Shane Cleary packs a wallop worthy of Mickey Spillane. In Liar’s Dice he delves deep into the hearty of dirty old Boston, playing the cops against the mob as his own dark memories threaten to overwhelm in this moody, unforgettable noir.”
—Clea Simon, Boston Globe-bestselling author of HOLD ME DOWN
“Gabriel Valjan crafts a vivid portrait of 1970s Boston to life in Liar’s Dice. Shane Cleary deserves to stand shoulder-to-shoulder with the city’s other famous PIs—a haunted but compassionate character who cuts through a swath of Mob crime with Valjan’s trademark wit and style.”
—James D.F. Hannah, Shamus-winning author of BEHIND THE WALL OF SLEEP and SHE TALKS TO ANGELS
“A fast-paced mystery that kept me flipping the pages, needing to find out what would happen next. Shane Cleary is a complex, brilliantly written protagonist. A terrific read.”
—Hannah Mary McKinnon, internationally bestselling author of NEVER COMING HOME
Hush, Hush
Murder. Race. Class. It's all Hush Hush.
I pulled the door open to Charlie’s Sandwich Shoppe. The spelling might’ve been from Middle English and seemed as medieval as Robin Hood, but a Greek owned the place. On any given day, Arthur the proprietor was Art or Artie and, like his old man before him, he worked the grill. Charlie’s was open twenty-four a day, seven days a week, including all the major holidays, Jewish or Gentile.
I’ve eaten breakfast countless times at his counter. The place did have tables, but it was designed for food on the move, men on the job, and people on the make. Walk into the shop and it was sometimes cops on one side of the room, gangsters on the other. Peace was a meal until everyone returned to the pavement outside, and there was no one-way streets about it: the South End was trouble. Charlie’s eggs, hash, bacon, and stiff coffee worked harder than the UN.
Charlie’s dated back to the Twenties. Framed photographs, some of them signed and some not, hung on the wall and told a history most Americans had forgotten, and why I supported the place. The Negro Motorist Green Book in hand told jazzmen and other itinerant talent that Charlie’s was a safe haven. In all of Boston, this was the one place where they could eat and, for a time, one of the few places where they were allowed to eat. Segregation ruled Boston until 1973, when public housing and schools were desegregated.
Sammy Davis, Jr. hoofed outside Charlie’s door for change, and he performed with his family at The Gaiety Theatre, which is now in the Combat Zone. Barred from the vaudeville stages in town, black talent played the burlesque houses. Audiences in these naughty houses were integrated. Some of the acts were women-owned and they managed acts that toured the TOBA circuit. TOBA stood for Tough on Black Asses.
There were no police officers in the place when I sat next to a familiar face at the counter. People called him Charcoal. He was thin as a stick and dark as his nickname. We sat on stools covered in cracked vinyl, and opposite wooden refrigerators there since Charlie’s opened its doors in 1927. Eggs sizzled, bacon puckered and sputtered, and conversations tumbled in and out like the tide. Arthur could hear above the din and asked me what I wanted, and I told him. “Turkey hash.”
A waitress placed a cup and saucer before me and poured caffeine. Charlie’s coffee was unleaded, and dark as unchanged oil and stiffer than Niagara starch. While I waited, I sipped and stared out the window. Life on Columbus Ave was a steady traffic of folks to and from the trains at Back Bay station around the corner.
There was another slice of history. Back Bay was the epicenter of the Pullman Porter Strike, conducted and carried to victory by the first black union, the Brotherhood of Sleeping Car Porters. Their office was above Charlie’s Shoppe. Membership was comprised of black men from the south. They traveled throughout the homeland for the union’s cause for better wages and working conditions. I doubt they slept a wink on the train through Jim Crow territory.
I was two forkfuls into my turkey hash, and Charcoal was on his third cup of joe when a burgundy Cadillac, with all the trimmings, rolled up to the front of Charlie’s. The man driving it wore large sunglasses and passed for a thinner version of Isaac Hayes. He wore business threads, and his head was shaved and glistened like a chocolate bullet. He had his back to the car and was facing us when a car stopped parallel to his parked car. Boston Police.
Arthur stopped and worked a washcloth over his hands. Every head was turned to the spectacle. Our Isaac Hayes heard a cop call him out. There was glass between us and him, but it wasn’t hard to guess the conversation on the street. Patrons of Charlie’s had seen this Movie of the Week and they knew the script. The question was whether Isaac stuck to his lines or improvised. The cop was almost out of the car, his head visible over the roof of the patrol car. He yelled, “Hey, Boy.”
Isaac hadn’t heard him until he’d seen the reflection of the officer and the cruiser in Charlie’s window. He stopped, removed his glasses, and turned around. A customer leaving Charlie’s propped the door so we could eavesdrop.
“Hands where I can see them.”
“Is there a problem, Officer?”
“We ask the questions, not you.”
Isaac stood his ground. The cop, out of the vehicle now, walked around the back of his car. His partner exited the passenger side. I expected a citation for being double-parked.
The cop jabbed his finger. “What are you doing?”
There was distance between the officers and the young man, but they were closing in fast. I understood what they were doing. They were asserting dominance and they wanted to spark a reaction. With enough space between them, if Isaac ran, one of the policemen could sprint and catch him from an angle. They’d talk smack as they approached, looking for an excuse to cuff him. If Isaac answered wrong, used the wrong tone of voice, they would ride him.
“I asked you what you’re doing.”
Isaac was smart. He raised his hands. Now came the dilemma because nothing he said mattered.
“Did I tell you to put your hands up?”
“No.”
“You going to answer me?” The tone of voice was sharp as a knife’s edge. “I asked you what you’re doing here.”
“Here to pick up a sandwich before work, Officer.” He glanced over his shoulder.
I hear courtesy and respect in the answer. Cops heard sarcasm.
“A sandwich, is that right?”
“Yes. A sandwich before work.”
“You have a job?”
Another lure, an insult disguised as a question. When cops testified in court, they’d tell the jury that they repeated answers as a way to verify information, but nobody asked them how they asked their questions.
The partner walked around the Cadillac. He used his foot to test the fender. He aimed to test a man’s pride in his set of wheels. His hand touched the rear light and he ran his hand over the body as if he checked for dirt. “This your car?”
“Yes.”
The cop closest to Isaac said, “You sure about that?” He glanced over his shoulder. “We run those tags and we won’t hear it was stolen.”
“No.”
“No what? What are you trying to say? I don’t understand you when you mumble.”
Another classic strategy. Isaac spoke clear as sunlight and kept his answers trimmed to simple. The more you talked, the more your own words were used against you. If he denied mumbling, he’d look defensive, and the cops would consider Isaac as dangerous as the third rail.
I waited for them to ask Isaac what his job was and where. They’d look at the Cadillac while he talked. Their looking at the car implied they didn’t believe the job matched the income to purchase a luxury vehicle, or that a Cadillac was a pimpmobile. The two cops might then tag-team Isaac with questions. Cops counted on confusion and if Isaac so much as stuttered, they would accuse him of being drunk, drugged, or agitated.
Isaac answered, “The car is mine. Registration is in the glove compartment.”
“License?”
“On me, but you can reach into my breast pocket for it.”
“On you?” the lead cop said. The smirk showed teeth.
“In my wallet, where I keep my cash so I can pay for my sandwich.”
The partner chimed in. “Glove compartment include proof of insurance?”
“Registration and insurance are in the glove compartment, yes.”
Now the lead cop was less than a foot away from Isaac. “Now, let me understand you right. You’re giving us permission to search your car?”
“Registration and insurance are in the glove compartment.”
“That’s not what I asked you, son.” The officer was eye-to-eye with Isaac. Any closer and it was a date. He turned and pointed to the car. “We won’t find anything else inside?”
Charcoal next to me said. “I think young blood could use some help from the community, right about now.” He got off the stool and walked to the open door. Other men followed him and formed a line in front of Charlie’s Sandwich Shoppe. I joined them.
The cops’ disposition changed immediately when he counted us.
“You folks go on back inside. This doesn’t concern you.”
A long hard minute passed and not a word was said. There was nothing but hard, tired stares. Isaac had not put his hands down and he hadn’t moved from where he was standing. Arthur appeared, a brown bag in his hand. He handed it to Isaac. “Breakfast is on me, and I hope the experience doesn’t stop you from visiting Charlie’s again.”
“This is a police matter,” the cop said to Arthur.
“And this is my business, and this young man is a customer.”
The cop moved in on Arthur. “This does not concern you.”
Charcoal stepped forward. “I suggest you officers either search the car, or call it a day.”
“You suggest?”
“Indeed, I do—and I advise you to heed my advice.”
The cop approached. When he did, the men behind Charcoal took one step forward and held the line. The cop stared into Charcoal’s face. “Heed your advice, and who the fuck are you?”
Charcoal flinched a smile. “I’m an attorney, labor and civil rights among other things, and I’d be happy to provide you with my card.”
“You’re a lawyer?”
“What’s the matter, Officer? You’ve never met a Negro lawyer or thought a black man might have more education than you and your forebears combined.”
“You know nothing about my forebears.”
“Oh, but I do, son. I do.”
The senior cop reassessed the situation. He looked at each man behind Charcoal, including me. Cops did this to save face. The pair backpedaled and got into their car. Arthur stood next to the opened door and thanked each of his patrons as they entered his shop. Charcoal and I were the last in the long line. I asked Arthur if I could make change for a phone call.
Arthur said I could use the house phone and pointed me to where I could find it. I called John and he answered. I said I’d be down to his place to talk with his friend, the kid’s father. “You’ll take the case?”
“I didn’t say that. I want to talk the man first, and John?” He waited. “What was with the chess metaphor and all?”
“I wasn’t about to talk street, in front of your lady.”
“You showed up unannounced. How did you find me?”
John said Bill’s name and, “Did something change your mind?”
“Change, no. More like I saw something that made me reconsider.”
“Watched something on television?”
“That’s make-believe. I’m talking about real life.”
Shane is living a comfortable life. He has money. He has a girl.
But a friend’s visit shakes up his status quo. Chess may be the metaphor, but the case is one that lifted the lid on a problem nobody in Boston wants to talk about.
Neither the crime nor the verdict is simple, and yet it is Black and White.
Shane will need more than a suit of armor if he wants to play knight. Can Justice be found? And at what cost?
Reviews
“HUSH HUSH is filled with biting wisdom, savory dialogue, and the authentic flavor of 70’s Boston.”—Cheryl Head, author of the Charlie Mack Motown Mystery series
“Boston. Dodgy cops. Class. Race. Murder. It’s all here, and there’s enough grit on the pages to grind your teeth down. Loved it.” —Tracy Clark, Sue Grafton Memorial Award-winning author of the highly acclaimed Chicago Mystery series
“HUSH HUSH is brutally honest, stunning and thoroughly engaging. When it comes to exciting and provocative mysteries, Valjan is the real deal!” —Stephen Mack Jones, Hammett Prize, Nero Award-winning author of the August Snow series
“With compelling characters, sharp prose and wit, and a slew of historical facts, this clever and twisty mystery’s topic is as poignant today as it was then.” —Marco Carocari, author of Blackout
“Crisply written and richly detailed, it’s 70’s Boston where race, class, and the dark secrets fuel the deadliest of deceptions. Despite the title, people will be talking about HUSH HUSH. Highly recommended.” —James L’Etoile, author of Black Label, At What Cost, and Bury the Past
“With clear and unflinching prose, [HUSH HUSH] brings a voice to issues of race and class through compelling and honest characters.” —Meredith Doench, author of the Luce Hansen Thriller series
“Precise and powerful…written in vivid, unforgettable prose.” —Lori Robbins, author of the On Pointe Mystery series
Symphony Road
Trouble comes in threes for Shane Cleary, a former police officer and now, a PI.
The doorknob clicked and two suits off the rack at Filene’s Basement downtown appeared.
Tie, black and knotted perfectly, and pressed white shirt walked in first. His sidekick followed him. Same black tie, but his knot, a simple four-in-hand, looked as if it had been looped and pulled through with broken fingers and his shirt was wrinkled, ironed by elephants.
“Sergeant said you wanted to see James Constantino.”
“I did and I do.”
“May we ask why you wish to speak with him?”
“Professional matter.”
I played the part. Minimalistic answers to these boys left little to twist and use against Jimmy or me. No introductions, no names from them, also told me this meeting never happened. Their word against mine, and I’d better have patience for Jimmy’s sake. Sloppy Cop left the room, leaving his partner with me for a staring contest.
“He’s in for arson.”
“So I was told.”
“And homicide.”
“So I heard.”
“I’d advise him to take a plea deal and save everyone a lot of time.” The tall and neat detective decided to do the walk-and-talk to show I was in his house and he made the rules. “When I arrested Jimmy, do you know what he said to me?”
“Knowing Jimmy, he probably said fuck you.”
“That’s exactly right. He said fuck you. Nice guy, your client Jimmy. I didn’t quote him in the report, so you could say I cut him some slack. Heat of the moment.”
To thank him, or agree with him would give him a lever. I said nothing.
“Now, let’s get to the point, shall we? Jimmy is a pyro. You know it and I know it.”
He touched his chin. I knew this trick, too. Semantics.
“Excuse me, alleged arsonist,” he said. “Imagine how it’ll play for Jimmy when the DA explains to a jury how a person dies in a fire, how he smells his own flesh cooking, and how he’ll start coughing and sputtering and gasping for air before he chokes to death.” He stepped close enough that I could smell Maxwell House on his breath. “Not a whole lot of sympathy. I’d love to be there, right up in his face and ask Jimmy who’s fucked now?”
The detective’s dark brown eyes drilled into me.
“I’m curious, Detective,” I said. “Did the coroner’s report come in?”
“It’s coming.”
“I’ll take that as a no then. I thought you might know something about the deceased in the building since you keep repeating he.” I raised a finger. “That brings up another small matter. Neither of us knows whether he was already dead or not when the building burned down, do we? And one other thing, did you find any traces of accelerant on Jimmy?”
The detective leaned forward. “What’s your point?”
I stepped right up and delivered. “It’s called presumption of innocence.”
The door opened. Partner Slipshod returned. He let the door yawn close. Since Jimmy wasn’t with him, I assumed the next stop was holding.
Wrong.
A brief walk, two doors down, I met a proper interrogation room. The sloppy little man eased the door open for me to see Jimmy inside what cops called the box. My escort whispered, “I’ll give you two some privacy.”
Straight out of the latest research from the psychologists, the room boasted four sharp corners, smooth surfaces and edges. Accommodations included an uncomfortable hardwood chair for Jimmy, its back to the door for the element of surprise. The light fixture hung low and bright, its glare relentless to blind the eyes or toast the top of the head. I walked towards the empty chair. I ran my hand along the tabletop. Jimmy came into view, handcuffed to an eyelet in front of him. His eyes glanced sideways, to a glass window, to remind me there were eavesdroppers. I gave him the slightest nod.
Jimmy had one look: composed menace. Hair short, shirt tailored, and slacks pressed. The cops had confiscated his wristwatch, belt and shoelaces. The harsh lighting did him no favors. His high cheekbones, long face, hooded eyelids and dark eyes telegraphed violence.
The bruise on his cheek was as purple as raw steak. The left eye would close up soon. His knuckles were scraped and bloodied. He had gotten a few in. Lawyers used the Socratic method. Boston cops used the Ground and Pound, familiar to Marines.
“Haven’t had much sleep, have you?”
Jimmy smirked. “What can I say? Hard mattress, harder pillow, and then somebody wanted to dance, but you know how it is in the dark. Clang, clang, bang, bang, and nobody heard a thing.”
Arson. A Missing Person. A cold case.
Two of his clients whom he shouldn’t trust, he does, and the third, whom he should, he can’t. Shane is up against crooked cops, a notorious slumlord and a mafia boss who want what they want, and then there’s the good guys who may or may not be what they seem.
Reviews
“The second installment in this noir series takes us on a gritty journey through mid-seventies Boston, warts and all, and presents Shane Cleary with a complex arson case that proves to be much more than our PI expected. Peppered with the right mix of period detail and sharp, spare prose, Valjan proves he’s the real deal.” — Edwin Hill, Edgar Finalist and author of the Hester Thursby Series
“Ostracized former cop turned PI Shane Cleary navigates the mean streets of Boston’s seedy underbelly in Symphony Road. A brilliant follow up to Dirty Old Town, Valjan’s literary flair and dark humor are on full display.” — Bruce Robert Coffin, award-winning author of the Detective Byron Mysteries
“A private eye mystery steeped in atmosphere and attitude.”— Richie Narvaez, author of Noiryorican
Dirty Old Town
Shane Cleary is a PI in a city where the cops want him dead.
The phone rang. Not that I heard it at first, but Delilah, who was lying next to me, kicked me in the ribs. Good thing she did because a call, no matter what the hour, meant business, and my cat had a better sense of finances than I did. Rent was overdue on the apartment, and we were living out of my office in downtown Boston to avoid my landlord in the South End. The phone trilled.
Again, and again, it rang.
I staggered through the darkness to the desk and picked up the receiver. Out of spite I didn’t say a word. I’d let the caller who’d ruined my sleep start the conversation.
“Mr. Shane Cleary?” a gruff voice asked.
“Maybe.”
The obnoxious noise in my ear indicated the phone had been handed to someone else. The crusty voice was playing operator for the real boss.
“Shane, old pal. It’s BB.”
Dread as ancient as the schoolyard blues spread through me. Those familiar initials also made me think of monogrammed towels and cufflinks. I checked the clock.
“Brayton Braddock. Remember me?”
“It’s two in the morning, Bray. What do you want?”
Calling him Bray was intended as a jab, to remind him his name was one syllable away from the sound of a jackass. BB was what he’d called himself when we were kids, because he thought it was cool. It wasn’t. He thought it made him one of the guys. It didn’t, but that didn’t stop him. Money creates delusions. Old money guarantees them.
“I need your help.”
“At this hour?”
“Don’t be like that.”
“What’s this about, Bray?”
Delilah meowed at my feet and did figure eights around my legs. My gal was telling me I was dealing with a snake, and she preferred I didn’t take the assignment, no matter how much it paid us. But how could I not listen to Brayton Braddock III? I needed the money. Delilah and I were both on a first-name basis with Charlie the Tuna, given the number of cans of Starkist around the office. Anyone who told you poverty was noble is a damn fool.
“I’d rather talk about this in person, Shane.”
I fumbled for pen and paper.
“When and where?”
“Beacon Hill. My driver is on his way.”
“But—”
I heard the click. I could’ve walked from my office to the Hill. I turned on the desk light and answered the worried eyes and mew. “Looks like we both might have some high-end kibble in our future, Dee.”
She understood what I’d said. Her body bumped the side of my leg. She issued plaintive yelps of disapproval. The one opinion I wanted, from the female I trusted most, and she couldn’t speak human.
I scraped my face smooth with a tired razor and threw on a clean dress shirt, blue, and slacks, dark and pressed. I might be poor, but my mother and then the military had taught me dignity and decency at all times. I dressed conservatively, never hip or loud. Another thing the Army taught me was not to stand out. Be the gray man in any group. It wasn’t like Braddock and his milieu understood contemporary fashion, widespread collars, leisure suits, or platform shoes.
I choose not to wear a tie, just to offend his Brahmin sensibilities. Beacon Hill was where the Elites, the Movers and Shakers in Boston lived, as far back to the days of John Winthrop. At this hour, I expected Braddock in nothing less than bespoke Parisian couture. I gave thought as to whether I should carry or not. I had enemies, and a .38 snub-nose under my left armpit was both insurance and deodorant.
Not knowing how long I’d be gone, I fortified Delilah with the canned stuff. She kept time better than any of the Bruins referees and there was always a present outside the penalty box when I ran overtime with her meals. I meted out extra portions of tuna and the last of the dry food for her.
I checked the window. A sleek Continental slid into place across the street. I admired the chauffeur’s skill at mooring the leviathan. He flashed the headlights to announce his arrival. Impressed that he knew that I knew he was there, I said goodbye, locked and deadbolted the door for the walk down to Washington Street and the car.
Outside the air, severe and cold as the city’s forefathers, slapped my cheeks numb. Stupid me had forgotten gloves. My fingers were almost blue. Good thing the car was yards away, idling, the exhaust rising behind it. I cupped my hands and blew hot air into them and crossed the street. I wouldn’t dignify poor planning on my part with a sprint.
Minimal traffic. Not a word from him or me during the ride. Boston goes to sleep at 12:30 a.m. Public transit does its last call at that hour. Checkered hacks scavenge the streets for fares in the small hours before sunrise. The other side of the city comes alive then, before the rest of the town awakes, before whatever time Mr. Coffee hits the filter and grounds. While men and women who slept until an alarm clock sprung them forward into another day, another repeat of their daily routine, the sitcom of their lives, all for the hallelujah of a paycheck, another set of people moved, with their ties yanked down, shirts and skirts unbuttoned, and tails pulled up and out. The night life, the good life was on. The distinguished set in search of young flesh migrated to the Chess Room on the corner of Tremont and Boylston Streets, and a certain crowd shifted down to the Playland on Essex, where drag queens, truck drivers, and curious college boys mixed more than drinks.
The car was warmer than my office and the radio dialed to stultifying mood music. Light from one of the streetlamps revealed a business card on the seat next to me. I reviewed it: Braddock’s card, the usual details on the front, a phone number in ink. A man’s handwriting on the back when I turned it over. I pocketed it.
All I saw in front of me from my angle in the backseat was a five-cornered hat, not unlike a policeman’s cover, and a pair of black gloves on the wheel. On the occasion of a turn, I was given a profile. No matinee idol there and yet his face looked as familiar as the character actor whose name escapes you. I’d say he was mid-thirties, about my height, which is a liar’s hair under six-foot, and the spread of his shoulders hinted at a hundred-eighty pounds, which made me feel self-conscious and underfed because I’m a hundred-sixty in shoes.
He eased the car to a halt, pushed a button, and the bolt on my door shot upright. Job or no job, I never believed any man was another man’s servant. I thanked him and I watched the head nod.
Outside on the pavement, the cold air knifed my lungs. A light turned on. The glow invited me to consider the flight of stairs with no railing. Even in their architecture, Boston’s aristocracy reminded everyone that any form of ascent needed assistance.
A woman took my winter coat, and a butler said hello. I recognized his voice from the phone. He led and I followed. Wide shoulders and height were apparently in vogue because Braddock had chosen the best from the catalog for driver and butler. I knew the etiquette that came with class distinction. I would not be announced, but merely allowed to slip in.
Logs in the fireplace crackled. Orange and red hues flickered against all the walls. Cozy and intimate for him, a room in hell for me. Braddock waited there, in his armchair, Hefner smoking jacket on. I hadn’t seen the man in almost ten years, but I’ll give credit where it’s due. His parents had done their bit after my mother’s death before foster care swallowed me up. Not so much as a birthday or Christmas card from them or their son since then, and now their prince was calling on me.
Not yet thirty, Braddock manifested a decadence that came with wealth. A pronounced belly, round as a teapot, and when he stood up, I confronted an anemic face, thin lips, and a receding hairline. Middle-age, around the corner for him, suggested a bad toupee and a nubile mistress, if he didn’t have one already. He approached me and did a boxer’s bob and weave. I sparred when I was younger. The things people remembered about you always surprised me. Stuck in the past, and yet Braddock had enough presence of mind to know my occupation and drop the proverbial dime to call me.
“Still got that devastating left hook?” he asked.
“I might.”
“I appreciate your coming on short notice.” He indicated a chair, but I declined. “I have a situation,” he said. He pointed to a decanter of brandy. “Like some…Henri IV Heritage, aged in oak for a century.”
He headed for the small bar to pour me some of his precious Heritage. His drink sat on a small table next to his chair. The decanter waited for him on a liquor caddy with a glass counter and a rotary phone. I reacquainted myself with the room and décor.
I had forgotten how high the ceilings were in these brownstones. The only warm thing in the room was the fire. The heating bill here alone would’ve surpassed the mortgage payment my parents used to pay on our place. The marble, white as it was, was sepulchral. Two nude caryatids for the columns in the fireplace had their eyes closed. The Axminster carpet underfoot, likely an heirloom from one of Cromwell’s cohorts in the family tree, displayed a graphic hunting scene.
I took one look at the decanter, saw all the studded diamonds, and knew Elizabeth Taylor and Richard Burton would have done the set number of paces with a pair of hand-wrought dueling pistols to own it. Bray handed me a snifter of brandy and resumed his place in his chair. I placed my drink on the mantel. “Tell me more about this situation you have.”
“Quite simple, really. Someone in my company is blackmailing me.”
“And which company is that?”
“Immaterial at the moment. Please do take a seat.”
I declined his attempt at schmooze. This wasn’t social. This was business.
“If you know who it is,” I said, “and you want something done about it, I’d recommend the chauffeur without reservation, or is it that you’re not a hundred percent sure?”
I approached Bray and leaned down to talk right into his face. I did it out of spite. One of the lessons I’d learned is that the wealthy are an eccentric and paranoid crowd. Intimacy and germs rank high on their list of phobias.
“I’m confident I’ve got the right man.” Brayton swallowed some of his expensive liquor.
“Then go to the police and set up a sting.”
“I’d like to have you handle the matter for me.”
“I’m not muscle, Brayton. Let’s be clear about that. You mean to say a man of your position doesn’t have any friends on the force to do your dirty work?”
“Like you have any friends there?”
I threw a hand onto each of the armrests and stared into his eyes. Any talk about the case that bounced me off the police force and into the poorhouse soured my disposition. I wanted the worm to squirm.
“Watch it, Bray. Old bones ought to stay buried. I can walk right out that door.”
“That was uncalled for, and I’m sorry,” he said. “This is a clean job.”
Unexpected. The man apologized for the foul. I had thought the word “apology” had been crossed out in his family dictionary. I backed off and let him breathe and savor his brandy.
I needed the job. The money. I didn’t trust Bray as a kid, nor the man the society pages said saved New England with his business deals and largesse.
“Let’s talk about this blackmail then,” I said. “Think one of your employees isn’t happy with their Christmas bonus?”
He bolted upright from his armchair. “I treat my people well.”
Sensitive, I thought and went to say something else, when I heard a sound behind me, and then I smelled her perfume. Jasmine, chased with the sweet burn of bourbon. I closed my eyes, and when I opened them I saw his smug face.
“You remember Cat, don’t you?”
“How could I not?” I said and kissed the back of the hand offered to me. Cat always took matters one step forward. She kissed me on the cheek, close enough that I could feel her against me. She withdrew and her scent stuck to me. Cat was the kind of woman who did all the teaching and you were grateful for the lessons. Here we were, all these years later, the three of us in one room, in the middle of the night.
“Still enjoy those film noir movies?” she asked.
“Every chance I get.”
“I’m glad you came at my husband’s request.”
The word husband hurt. I had read about their marriage in the paper.
“I think you should leave, dear, and let the men talk,” her beloved said.
His choice of words amused me as much as it did her, from the look she gave me. I never would have called her “dear” in public or close quarters. You don’t dismiss her, either.
“Oh please,” she told her husband. “My sensibility isn’t that delicate and it’s not like I haven’t heard business discussed. Shane understands confidentiality and discretion. You also forget a wife can’t be forced to testify against her husband. Is this yours, Shane?” she asked about the snifter on the brandy on the mantel. I nodded. “I’ll keep it warm for you.”
She leaned against the mantel for warmth. She nosed the brandy and closed her eyes. When they opened, her lips parted in a sly smile, knowing her power. Firelight illuminated the length of her legs and my eyes traveled. Braddock noticed and he screwed himself into his chair and gave her a venomous look.
“Why the look, darling?” she said. “You know Shane and I have history.”
Understatement. She raised the glass. Her lips touched the rim and she took the slightest sip. Our eyes met again and I wanted a cigarette, but I’d quit the habit. I relished the sight until Braddock broke the spell. He said, “I’m being blackmailed over a pending business deal.”
“Blackmail implies dirty laundry you don’t want aired,” I said. “What kind of deal?”
“Nothing I thought was that important,” he said.
“Somebody thinks otherwise.”
“This acquisition does have certain aspects that, if exposed, would shift public opinion, even though it’s completely aboveboard.” Braddock sipped and stared at me while that expensive juice went down his throat.
“All legit, huh,” I said. “Again, what kind of acquisition?”
“Real estate.”
“The kind of deal where folks in this town receive an eviction notice?”
He didn’t answer that. As a kid, I’d heard how folks in the West End were tossed out and the Bullfinch Triangle was razed to create Government Center, a modern and brutal Stonehenge, complete with tiered slabs of concrete and glass. Scollay Square disappeared overnight. Gone were the restaurants and the watering holes, the theaters where the Booth brothers performed, and burlesque and vaudeville coexisted. Given short notice, a nominal sum that was more symbolic than anything else, thousands of working-class families had to move or face the police who were as pleasant and diplomatic as the cops at the Chicago Democratic National Convention.
I didn’t say I’d accept the job. I wanted Braddock to simmer and knew how to spike his temperature. I reclaimed my glass from Cat. She enjoyed that. “Pardon me,” I said to her. “Not shy about sharing a glass, I hope.”
“Not at all.”
I let Bray Braddock cook. If he could afford to drink centennial grape juice then he could sustain my contempt. I gulped his cognac to show what a plebe I was, and handed the glass back to Cat with a wink. She walked to the bar and poured herself another splash, while I questioned my future employer. “Has this blackmailer made any demands? Asked for a sum?”
“None,” Braddock answered.
“But he knows details about your acquisition?” I asked.
“He relayed a communication.”
Braddock yelled out to his butler, who appeared faster than recruits I’d known in Basic Training. The man streamed into the room, gave Braddock two envelopes, and exited with an impressive gait. Braddock handed me one of the envelopes.
I opened it. I fished out a thick wad of paperwork. Photostats. Looking them over, I saw names and figures and dates. Accounting.
“Xeroxes,” Braddock said. “They arrived in the mail.”
“Copies? What, carbon copies aren’t good enough for you?”
“We’re beyond the days of the hand-cranked mimeograph machine, Shane. My partners and I have spared no expense to implement the latest technology in our offices.”
I examined pages. “Explain to me in layman’s terms what I’m looking at, the abridged version, or I’ll be drinking more of your brandy.”
The magisterial hand pointed to the decanter. “Help yourself.”
“No thanks.”
“Those copies are from a ledger for the proposed deal. Keep them. Knowledgeable eyes can connect names there to certain companies, to certain men, which in turn lead to friends in high places, and I think you can infer the rest. Nothing illegal, mind you, but you know how things get, if they find their way into the papers. Yellow journalism has never died out.”
I pocketed the copies. “It didn’t die out, on account of your people using it to underwrite the Spanish-American War. If what you have here is fair-and-square business, then your problem is public relations—a black eye the barbershops on Madison Ave can pretty up in the morning. I don’t do PR, Mr. Braddock. What is it you think I can do for you?”
“Ascertain the identity of the blackmailer.”
“Then you aren’t certain of…never mind. And what do I do when I ascertain that identity?”
“Nothing. I’ll do the rest.”
“Coming from you, that worries me, seeing how your people have treated the peasants, historically speaking.”
Brayton didn’t say a word to that.
“And that other envelope in your lap?” I asked.
The balding halo on the top of his head revealed itself when he looked down at the envelope. Those sickly lips parted when he faced me. I knew I would hate the answer. Cat stood behind him. She glanced at me then at the figure of a dog chasing a rabbit on the carpet.
“Envelope contains the name of a lead, an address, and a generous advance. Cash.”
Brayton tossed it my way. The envelope, fat as a fish, hit me. I caught it.
Shane Cleary is tough, honest and broke. When he’s asked to look into a case of blackmail, the money is too good for him to refuse, even though the client is a snake and his wife is the woman who stomped on Shane’s heart years before. When a fellow vet and Boston cop with a secret asks Shane to find a missing person, the paying gig and the favor for a friend lead Shane to an arsonist, mobsters, a shady sports agent, and Boston’s deadliest hitman, the Barbarian. With both criminals and cops out to get him, the pressure is on for Shane to put all the pieces together before time runs out.
Reviews
“Robert B. Parker would stand and cheer, and George V. Higgins would join the ovation. This is a terrific book–tough, smart, spare, and authentic. Gabriel Valjan is a true talent–impressive and skilled–providing knock-out prose, a fine-tuned sense of place and sleekly wry style.” —Hank Phillippi Ryan, nationally bestselling author of The Murder List
“Valjan paints the town, and all the colors are noir.” —Tom Straw, NYT Bestselling author, as Richard Castle
“Say hello to Shane Cleary, a down-on-his luck private detective walking the streets of dirty old Boston, circa 1975. He’s smart, sarcastic, and tough, despite a few cuts and bruises. And he’s got a gift for describing everything he sees like a painter with a brush dipped in acid. So come for the twisting plot and suspense, stay for the style. Author Gabriel Valjan has done a terrific job bringing Shane and his world to life. You’ll read it in one sitting.” —William Martin, New York Times Bestselling Author of Back Bay and Bound for Gold
“Fans of Robert B. Parker’s Spenser and Dennis Lehane’s Patrick Kenzie will love Shane Cleary. Gabriel Valjan has created a fascinating new PI character who prowls the tough streets of ’70s Boston in this compelling hard-boiled mystery. Dirty Old Townis fast, fun and first-rate!” —R.G. Belsky, author of the award-winning Clare Carlson mystery series
“Dirty Old Town hits every pitch out of the park: it’s smart, funny and consistently surprising. A great read!” —Dennis Palumbo, author of the Daniel Rinaldi Mysteries