The COMPAnY FILES
Book #3 in The Company Files
Agatha Award nominee for Best Historical Mystery
The Devil's Music
Stalin is gone. The Cold War is on.
Better dead than red.
Click. Click. Clickety-click.
There were the thumps of the space bar, the hand to the lever on the left side of the typewriter to slide the carriage over after the bell. Another line, another step toward the bottom of the page. The sound of Walker’s writing competed with a visitor outside his Malibu home. A woodpecker.
The redhead had introduced himself a few days earlier while Walker sat outside on his porch. The bird landed on the railing and assessed Walker with one beady eye, flew off, and then returned moments later, this time on the other side of the patio, to render his approval with the other eye.
They’d come to an agreement, between the bird’s music and his writing. The bird would drum its beat and Walker would peck at the keys on the Remington typewriter Terry Doyle had stolen from Warner Brothers in Burbank as a farewell present after Walker finished his stint at the studio as Walter Thompson for the Company.
Terry assumed he could score the five-finger discount without Jack Warner knowing about it. Wrong. Warner sent Terry a set of replacement ribbons with a handwritten note.
Mr. Doyle,
These ribbons could work wonders around your feet, like chains did for Bo Weinberg. Likewise, the typewriter you stole from me would make a fine anchor for your swim off any pier. Give WT my regards.
JL.
The typewriter was a mark of respect between writers since this particular model was given to senior writers. Novices received black Remington Noiseless Model Sevens, often decrepit and with cracked paint. Walker’s model was a block of green steel. The inside covers of the carrying case were lined with felt. The green keys were silky. The tab and trim were tight. The color suited Walker since he was an army man.
His Friday ritual at the desk was to include a cold bottle of Adohr milk within reach while he wrote. Adohr Milk Farms dispatched the same man his way for deliveries. Walker waited for the blue truck out of Tarzana with Adohr-able Milk, the farm’s slogan, painted on the sides. Drivers wore starched white uniforms, dark bowties, and caps.
Elmo was Walker’s man. In addition to fresh cheese and eggs, Walker paid Elmo extra to bring a variety of newspapers from Los Angeles. Elmo was a sad-eyed vet, a working stiff with a gimp leg and the worst case of nerves around sudden sounds. A navy veteran, Elmo had served in the Pacific theatre. Walker understood the man’s sorrows, even if he had served on the other side of the world.
Walker poured off the cream into a glass for the icebox and placed it next to the bottles of Bull Dog beer. He returned with the milk to his desk. His mother would have disapproved, but time in the infantry in France, Germany, and Italy did away with the courtesy of a glass from the cupboard. Walker saw himself as a grown man and he could do as he pleased. He’d earned numerous combat decorations and deserved his milk straight from the bottle. After the war, he joined Jack Marshall in Vienna and went to work for the Company. They interviewed and recruited former Nazis. When someone wasn’t killing them first.
Mother passed years ago. No woman was around to civilize him, not even Leslie. She’d made that decision for the both of them in Vienna and finalized it in Los Angeles. Walker wondered what Mother would’ve thought of Leslie.
After Vienna, the next big job for Jack was to work at Warner Brothers. A script doctor and intermediary between studios and blacklisted writers had been murdered and a clue suggested Hoover was up to something. That operation ended two years ago. He left the studio on good terms, which was a remarkable feat since Jack Warner turned into a cobra with anyone who poached talent from his studio. Warner, to his credit, extended an open invitation to Walker to work freelance on projects.
Hours later, he rose from his desk, the pages stacked. A day’s work finished. At five forty-five in the afternoon the phone rang. Walker answered it and heard Jack Marshall’s voice. “The Rosenbergs were executed.”
Walker glanced at his wristwatch. Three-hour difference. “What do you need?”
“I need to bring you in. In addition to Jay Edgar and his pet senator from Wisconsin, we have a problem, and its initials are RC.”
“Roy Cohn.”
Walker heard Jack sigh. Rare. The first time Walker heard that exhalation was when they had been relieved in Alsace, only to receive orders to march into Germany. Neither of them had known that Dachau was waiting for them, or that men in their unit would execute Nazis on the spot.
“You there?” Jack asked.
“I’m here. An unpleasant thought came over me.”
“Roy Cohn has that effect on people, but it gets worse.”
“Worse?”
“Now that Roy has made his reputation with the Rosenbergs, he has the fire in his belly, and he’ll want to settle old scores. He’s bringing ammunition.”
“Ammo? What more does he need? McCarthy and Hoover back him.” Walker rubbed his forehead, the onset of a headache because of a name. Roy Cohn was the one mortal who’d dare to breach the gates of hell, just so he could throw Old Scratch off his throne. “What’s he thinking?”
“Cohn plans to deliver on McCarthy’s accusation that Reds have infiltrated the military, and Cohn will target government contractors, and there’s more.”
Walker understood the implications. The Company had recruited Nazis and some Soviets in Vienna. These engineers, scientists, and technicians were then rehabilitated and embedded in various companies around the country to beat the Russians in the arms race. Cohn’s sweep for Communists meant exposure, a liability in the Company’s rivalry with Hoover’s FBI.
“You said there’s more, Jack. Who or what does he have?”
“An ambitious twenty-seven-year-old from Boston.”
“Anybody we know?”
Pause.
“Kennedy,” Jack said.
“The leash is off the dog and the lawn just got bigger.”
The name Kennedy irritated people in DC like a cheap wool sweater. Washed up in politics after Churchill threw him off the Cliffs of Dover because he had alienated everyone as an isolationist, courted Hitler and, like Charles Lindberg, disliked Jews, former Ambassador Joseph Kennedy was at it again. Everybody knew the old man wanted a son behind the desk in the highest office of the land. His oldest boy Joe Jr. had died in an accident during the war. His next oldest son was now the US Senator from Massachusetts.
“John Kennedy,” Walker said. “He wants to climb the ladder for daddy?”
“It’s what I was thinking, but not him.”
With victory comes revenge, and both Attorney Roy Cohn and his supporter, J. Edgar Hoover, wish to settle accounts. In a race to protect his associates, Jack Marshall relocates them to off-off-Broadway. Walker, Vera, Leslie, and Sheldon swelter under more than stage lights in New York City.
Before the summer is out, before the strange music subsides, there is a mob war and another unexpected addition to the Company Files.
Reviews
“A tour de force! Valjan recreates the feel and tone of the McCarthy era, a time of living dangerously and a story spiced with real people and real events.” —Rhys Bowen, Internationally bestselling author of The Venice Sketchbook, The Royal Spyness and Molly Murphy series
“Valjan’s sharp-as-a-stiletto, vintage-flavored prose and deft hand with suspense and intrigue earns The Devil’s Music a place on the shelf with classic mystery authors like Chandler and Macdonald.”—Ellen Byron, Agatha Award winner and USA Today bestselling author
“With pitch perfect dialogue and lean but evocative prose, Gabriel Valjan’s The Devil’s Music deftly captures the McCarthy era as the CIA, the FBI and the Kennedys set off on a collision course with the Mafia. Compelling and memorable characters take us from the seductive studios of Hollywood to the harsh realities of New York in this immersive tale of intrigue and divided loyalties. The Devil’s Music delivers action, espionage and romance, with layer upon layer of deception to keep you guessing until the last page.” —Tina deBellegarde, Agatha-nominated author of Winter Witness, a Batavia-on-Hudson Mystery
Book #2 in the Company Files series
Agatha Award nominee for Best Historical Mystery
Anthony Award nominee for Best Paperback Original
The Naming Game
Whether it’s Hollywood or DC, life and death, success or failure hinge on saying a name. The right name.
The phone rang. Not that I heard it at first, but Delilah, who was lying next to me, kicked me in the ribs. Good thing she did because a call, no matter what the hour, meant business, and my cat had a better sense of finances than I did. Rent was overdue on the apartment, and we were living out of my office in downtown Boston to avoid my landlord in the South End. The phone trilled.
Again, and again, it rang.
I staggered through the darkness to the desk and picked up the receiver. Out of spite I didn’t say a word. I’d let the caller who’d ruined my sleep start the conversation.
“Mr. Shane Cleary?” a gruff voice asked.
“Maybe.”
The obnoxious noise in my ear indicated the phone had been handed to someone else. The crusty voice was playing operator for the real boss.
“Shane, old pal. It’s BB.”
Dread as ancient as the schoolyard blues spread through me. Those familiar initials also made me think of monogrammed towels and cufflinks. I checked the clock.
“Brayton Braddock. Remember me?”
“It’s two in the morning, Bray. What do you want?”
Calling him Bray was intended as a jab, to remind him his name was one syllable away from the sound of a jackass. BB was what he’d called himself when we were kids, because he thought it was cool. It wasn’t. He thought it made him one of the guys. It didn’t, but that didn’t stop him. Money creates delusions. Old money guarantees them.
“I need your help.”
“At this hour?”
“Don’t be like that.”
“What’s this about, Bray?”
Delilah meowed at my feet and did figure eights around my legs. My gal was telling me I was dealing with a snake, and she preferred I didn’t take the assignment, no matter how much it paid us. But how could I not listen to Brayton Braddock III? I needed the money. Delilah and I were both on a first-name basis with Charlie the Tuna, given the number of cans of Starkist around the office. Anyone who told you poverty was noble is a damn fool.
“I’d rather talk about this in person, Shane.”
I fumbled for pen and paper.
“When and where?”
“Beacon Hill. My driver is on his way.”
“But—”
I heard the click. I could’ve walked from my office to the Hill. I turned on the desk light and answered the worried eyes and mew. “Looks like we both might have some high-end kibble in our future, Dee.”
She understood what I’d said. Her body bumped the side of my leg. She issued plaintive yelps of disapproval. The one opinion I wanted, from the female I trusted most, and she couldn’t speak human.
I scraped my face smooth with a tired razor and threw on a clean dress shirt, blue, and slacks, dark and pressed. I might be poor, but my mother and then the military had taught me dignity and decency at all times. I dressed conservatively, never hip or loud. Another thing the Army taught me was not to stand out. Be the gray man in any group. It wasn’t like Braddock and his milieu understood contemporary fashion, widespread collars, leisure suits, or platform shoes.
I choose not to wear a tie, just to offend his Brahmin sensibilities. Beacon Hill was where the Elites, the Movers and Shakers in Boston lived, as far back to the days of John Winthrop. At this hour, I expected Braddock in nothing less than bespoke Parisian couture. I gave thought as to whether I should carry or not. I had enemies, and a .38 snub-nose under my left armpit was both insurance and deodorant.
Not knowing how long I’d be gone, I fortified Delilah with the canned stuff. She kept time better than any of the Bruins referees and there was always a present outside the penalty box when I ran overtime with her meals. I meted out extra portions of tuna and the last of the dry food for her.
I checked the window. A sleek Continental slid into place across the street. I admired the chauffeur’s skill at mooring the leviathan. He flashed the headlights to announce his arrival. Impressed that he knew that I knew he was there, I said goodbye, locked and deadbolted the door for the walk down to Washington Street and the car.
Outside the air, severe and cold as the city’s forefathers, slapped my cheeks numb. Stupid me had forgotten gloves. My fingers were almost blue. Good thing the car was yards away, idling, the exhaust rising behind it. I cupped my hands and blew hot air into them and crossed the street. I wouldn’t dignify poor planning on my part with a sprint.
Minimal traffic. Not a word from him or me during the ride. Boston goes to sleep at 12:30 a.m. Public transit does its last call at that hour. Checkered hacks scavenge the streets for fares in the small hours before sunrise. The other side of the city comes alive then, before the rest of the town awakes, before whatever time Mr. Coffee hits the filter and grounds. While men and women who slept until an alarm clock sprung them forward into another day, another repeat of their daily routine, the sitcom of their lives, all for the hallelujah of a paycheck, another set of people moved, with their ties yanked down, shirts and skirts unbuttoned, and tails pulled up and out. The night life, the good life was on. The distinguished set in search of young flesh migrated to the Chess Room on the corner of Tremont and Boylston Streets, and a certain crowd shifted down to the Playland on Essex, where drag queens, truck drivers, and curious college boys mixed more than drinks.
The car was warmer than my office and the radio dialed to stultifying mood music. Light from one of the streetlamps revealed a business card on the seat next to me. I reviewed it: Braddock’s card, the usual details on the front, a phone number in ink. A man’s handwriting on the back when I turned it over. I pocketed it.
All I saw in front of me from my angle in the backseat was a five-cornered hat, not unlike a policeman’s cover, and a pair of black gloves on the wheel. On the occasion of a turn, I was given a profile. No matinee idol there and yet his face looked as familiar as the character actor whose name escapes you. I’d say he was mid-thirties, about my height, which is a liar’s hair under six-foot, and the spread of his shoulders hinted at a hundred-eighty pounds, which made me feel self-conscious and underfed because I’m a hundred-sixty in shoes.
He eased the car to a halt, pushed a button, and the bolt on my door shot upright. Job or no job, I never believed any man was another man’s servant. I thanked him and I watched the head nod.
Outside on the pavement, the cold air knifed my lungs. A light turned on. The glow invited me to consider the flight of stairs with no railing. Even in their architecture, Boston’s aristocracy reminded everyone that any form of ascent needed assistance.
A woman took my winter coat, and a butler said hello. I recognized his voice from the phone. He led and I followed. Wide shoulders and height were apparently in vogue because Braddock had chosen the best from the catalog for driver and butler. I knew the etiquette that came with class distinction. I would not be announced, but merely allowed to slip in.
Logs in the fireplace crackled. Orange and red hues flickered against all the walls. Cozy and intimate for him, a room in hell for me. Braddock waited there, in his armchair, Hefner smoking jacket on. I hadn’t seen the man in almost ten years, but I’ll give credit where it’s due. His parents had done their bit after my mother’s death before foster care swallowed me up. Not so much as a birthday or Christmas card from them or their son since then, and now their prince was calling on me.
Not yet thirty, Braddock manifested a decadence that came with wealth. A pronounced belly, round as a teapot, and when he stood up, I confronted an anemic face, thin lips, and a receding hairline. Middle-age, around the corner for him, suggested a bad toupee and a nubile mistress, if he didn’t have one already. He approached me and did a boxer’s bob and weave. I sparred when I was younger. The things people remembered about you always surprised me. Stuck in the past, and yet Braddock had enough presence of mind to know my occupation and drop the proverbial dime to call me.
“Still got that devastating left hook?” he asked.
“I might.”
“I appreciate your coming on short notice.” He indicated a chair, but I declined. “I have a situation,” he said. He pointed to a decanter of brandy. “Like some…Henri IV Heritage, aged in oak for a century.”
He headed for the small bar to pour me some of his precious Heritage. His drink sat on a small table next to his chair. The decanter waited for him on a liquor caddy with a glass counter and a rotary phone. I reacquainted myself with the room and décor.
I had forgotten how high the ceilings were in these brownstones. The only warm thing in the room was the fire. The heating bill here alone would’ve surpassed the mortgage payment my parents used to pay on our place. The marble, white as it was, was sepulchral. Two nude caryatids for the columns in the fireplace had their eyes closed. The Axminster carpet underfoot, likely an heirloom from one of Cromwell’s cohorts in the family tree, displayed a graphic hunting scene.
I took one look at the decanter, saw all the studded diamonds, and knew Elizabeth Taylor and Richard Burton would have done the set number of paces with a pair of hand-wrought dueling pistols to own it. Bray handed me a snifter of brandy and resumed his place in his chair. I placed my drink on the mantel. “Tell me more about this situation you have.”
“Quite simple, really. Someone in my company is blackmailing me.”
“And which company is that?”
“Immaterial at the moment. Please do take a seat.”
I declined his attempt at schmooze. This wasn’t social. This was business.
“If you know who it is,” I said, “and you want something done about it, I’d recommend the chauffeur without reservation, or is it that you’re not a hundred percent sure?”
I approached Bray and leaned down to talk right into his face. I did it out of spite. One of the lessons I’d learned is that the wealthy are an eccentric and paranoid crowd. Intimacy and germs rank high on their list of phobias.
“I’m confident I’ve got the right man.” Brayton swallowed some of his expensive liquor.
“Then go to the police and set up a sting.”
“I’d like to have you handle the matter for me.”
“I’m not muscle, Brayton. Let’s be clear about that. You mean to say a man of your position doesn’t have any friends on the force to do your dirty work?”
“Like you have any friends there?”
I threw a hand onto each of the armrests and stared into his eyes. Any talk about the case that bounced me off the police force and into the poorhouse soured my disposition. I wanted the worm to squirm.
“Watch it, Bray. Old bones ought to stay buried. I can walk right out that door.”
“That was uncalled for, and I’m sorry,” he said. “This is a clean job.”
Unexpected. The man apologized for the foul. I had thought the word “apology” had been crossed out in his family dictionary. I backed off and let him breathe and savor his brandy.
I needed the job. The money. I didn’t trust Bray as a kid, nor the man the society pages said saved New England with his business deals and largesse.
“Let’s talk about this blackmail then,” I said. “Think one of your employees isn’t happy with their Christmas bonus?”
He bolted upright from his armchair. “I treat my people well.”
Sensitive, I thought and went to say something else, when I heard a sound behind me, and then I smelled her perfume. Jasmine, chased with the sweet burn of bourbon. I closed my eyes, and when I opened them I saw his smug face.
“You remember Cat, don’t you?”
“How could I not?” I said and kissed the back of the hand offered to me. Cat always took matters one step forward. She kissed me on the cheek, close enough that I could feel her against me. She withdrew and her scent stuck to me. Cat was the kind of woman who did all the teaching and you were grateful for the lessons. Here we were, all these years later, the three of us in one room, in the middle of the night.
“Still enjoy those film noir movies?” she asked.
“Every chance I get.”
“I’m glad you came at my husband’s request.”
The word husband hurt. I had read about their marriage in the paper.
“I think you should leave, dear, and let the men talk,” her beloved said.
His choice of words amused me as much as it did her, from the look she gave me. I never would have called her “dear” in public or close quarters. You don’t dismiss her, either.
“Oh please,” she told her husband. “My sensibility isn’t that delicate and it’s not like I haven’t heard business discussed. Shane understands confidentiality and discretion. You also forget a wife can’t be forced to testify against her husband. Is this yours, Shane?” she asked about the snifter on the brandy on the mantel. I nodded. “I’ll keep it warm for you.”
She leaned against the mantel for warmth. She nosed the brandy and closed her eyes. When they opened, her lips parted in a sly smile, knowing her power. Firelight illuminated the length of her legs and my eyes traveled. Braddock noticed and he screwed himself into his chair and gave her a venomous look.
“Why the look, darling?” she said. “You know Shane and I have history.”
Understatement. She raised the glass. Her lips touched the rim and she took the slightest sip. Our eyes met again and I wanted a cigarette, but I’d quit the habit. I relished the sight until Braddock broke the spell. He said, “I’m being blackmailed over a pending business deal.”
“Blackmail implies dirty laundry you don’t want aired,” I said. “What kind of deal?”
“Nothing I thought was that important,” he said.
“Somebody thinks otherwise.”
“This acquisition does have certain aspects that, if exposed, would shift public opinion, even though it’s completely aboveboard.” Braddock sipped and stared at me while that expensive juice went down his throat.
“All legit, huh,” I said. “Again, what kind of acquisition?”
“Real estate.”
“The kind of deal where folks in this town receive an eviction notice?”
He didn’t answer that. As a kid, I’d heard how folks in the West End were tossed out and the Bullfinch Triangle was razed to create Government Center, a modern and brutal Stonehenge, complete with tiered slabs of concrete and glass. Scollay Square disappeared overnight. Gone were the restaurants and the watering holes, the theaters where the Booth brothers performed, and burlesque and vaudeville coexisted. Given short notice, a nominal sum that was more symbolic than anything else, thousands of working-class families had to move or face the police who were as pleasant and diplomatic as the cops at the Chicago Democratic National Convention.
I didn’t say I’d accept the job. I wanted Braddock to simmer and knew how to spike his temperature. I reclaimed my glass from Cat. She enjoyed that. “Pardon me,” I said to her. “Not shy about sharing a glass, I hope.”
“Not at all.”
I let Bray Braddock cook. If he could afford to drink centennial grape juice then he could sustain my contempt. I gulped his cognac to show what a plebe I was, and handed the glass back to Cat with a wink. She walked to the bar and poured herself another splash, while I questioned my future employer. “Has this blackmailer made any demands? Asked for a sum?”
“None,” Braddock answered.
“But he knows details about your acquisition?” I asked.
“He relayed a communication.”
Braddock yelled out to his butler, who appeared faster than recruits I’d known in Basic Training. The man streamed into the room, gave Braddock two envelopes, and exited with an impressive gait. Braddock handed me one of the envelopes.
I opened it. I fished out a thick wad of paperwork. Photostats. Looking them over, I saw names and figures and dates. Accounting.
“Xeroxes,” Braddock said. “They arrived in the mail.”
“Copies? What, carbon copies aren’t good enough for you?”
“We’re beyond the days of the hand-cranked mimeograph machine, Shane. My partners and I have spared no expense to implement the latest technology in our offices.”
I examined pages. “Explain to me in layman’s terms what I’m looking at, the abridged version, or I’ll be drinking more of your brandy.”
The magisterial hand pointed to the decanter. “Help yourself.”
“No thanks.”
“Those copies are from a ledger for the proposed deal. Keep them. Knowledgeable eyes can connect names there to certain companies, to certain men, which in turn lead to friends in high places, and I think you can infer the rest. Nothing illegal, mind you, but you know how things get, if they find their way into the papers. Yellow journalism has never died out.”
I pocketed the copies. “It didn’t die out, on account of your people using it to underwrite the Spanish-American War. If what you have here is fair-and-square business, then your problem is public relations—a black eye the barbershops on Madison Ave can pretty up in the morning. I don’t do PR, Mr. Braddock. What is it you think I can do for you?”
“Ascertain the identity of the blackmailer.”
“Then you aren’t certain of…never mind. And what do I do when I ascertain that identity?”
“Nothing. I’ll do the rest.”
“Coming from you, that worries me, seeing how your people have treated the peasants, historically speaking.”
Brayton didn’t say a word to that.
“And that other envelope in your lap?” I asked.
The balding halo on the top of his head revealed itself when he looked down at the envelope. Those sickly lips parted when he faced me. I knew I would hate the answer. Cat stood behind him. She glanced at me then at the figure of a dog chasing a rabbit on the carpet.
“Envelope contains the name of a lead, an address, and a generous advance. Cash.”
Brayton tossed it my way. The envelope, fat as a fish, hit me. I caught it.
When Charlie Loew is found murdered in a seedy flophouse with a cryptic list inside the dead script-fixer’s handkerchief, Jack Marshall sends Walker undercover as a screenwriter at a major studio and Leslie as a secretary to Dr. Phillip Ernest, shrink to the stars. J. Edgar Hoover has his own list. Blacklisted writers and studio politics. Ruthless gangsters and Chief Parker’s LAPD. Paranoia, suspicions, and divided loyalties begin to blur when the House Un-American Activities Committee insists that everyone play the naming game.
Reviews
“Brilliantly written, Gabriel Valjan’s The Naming Game whisks the reader back in time to postwar Los Angeles. Spies, Communism, and Hollywood converge in a first-rate thriller.” —Bruce Robert Coffin, Agatha Award nominated author of Beyond the Truth, A Detective Byron Mystery
“With crackling dialogue and a page turning plot shot-through with authentic period detail, Gabriel Valjan pulls the reader into the hidden world of the 1950’s Hollywood studio scene, involving murder,McCarthyism and mayhem.” —James L’Etoile, author of At What Cost and Bury the Past
“Terrific historical noir as Gabriel Valjan takes us on a trip through postwar Hollywood involving scandal, McCarthyism, blacklisting, J. Edgar Hoover and, of course, murder. Compelling story, compelling characters.” —R.G. Belsky, author of the Clare Carlson Mystery Series
Book #1 in the Company Files series
The Good Man
One war has ended.
Another world war has begun.
Two men must form an uneasy alliance, but can they trust each other?
At 0300 his little black beauty warbled from the nightstand, and stirred Walker from his semi-erotic embrace of the pillow. Grable, his .45, was sleeping next to the receiver. She could sleep through anything. He was jealous.
“Awake?” Jack’s distinctive voice came over the wire.
“I am now.” Eyes focused on becoming alert.
“Meet me at the Narrenturm, ninth district.”
“Why?”
“The IP are here already.”
Walker washed a hand over his face, still in the fog.
“What is it, Jack?”
“Dead body in the Fruitcake House.”
The informative sentence ended with a click. The IP, the International Police, presence was a guarantee that the crime scene would not be kept contained.
Walker got out of bed.
His room was square, clean, and impersonal. The room measured 50 square meters and served as living room where the nice, upholstered chair was and bedroom where stood the bed. A modest walnut armoire rested against the wall space next to the bathroom door. There was a set of doors out to the balcony so small that it was an insult to a poor man’s suicide.
There was no pretension to domesticity or habit, like paintings, books, or luxurious furniture. His mirror in the bathroom was his daily reminder of what he presented to the world, and on the nightstand rested his Leich desk phone with its felt-covered base, curled cord, and petite Bakelite body that he answered when the outside world called him.
Each night before bed Walker draped a towel over the upholstered chair, and he placed a pail of water on the balcony. Then he inventoried the room. He knew that if something changed in the room he would wake up. Out of habit he slept without socks, his feet in the open air, so he could respond to anything that moved uninvited in the room.
The AKH is the General Hospital in Vienna, the Allgemeines Krankenhaus, the largest in the country, and the Narrenturm was the second mental hospital in Europe after Bedlam in London. The German word for the place was Gugelhupf because of its architecture. The asylum housed the mentally ill, the criminally insane, and political prisoners.
The AKH boasted the first lightning rods in Vienna on its roof and breakthroughs in hygienic practices. Walker wondered whether the lightning rods had anything to do with the electroconvulsive therapy he had read about back home, as he walked over to the chair, grabbed the towel, and tossed it onto the floor by the balcony door. Blood groups had first been typed in thorough Teutonic style at the AKH, while patients were chained to lattice doors at the Narrenturm, screaming like the forgotten poor and unrepentant heretics in medieval dungeons well into the nineteenth century.
He took off his shorts, went out onto the balcony naked in the cold air, picked up the pail of now freezing water and poured it over his head.
He had learned this trick from a Russian POW. Cold water forces the body to discharge negativity and disease. The POW, he was told through a translator, did this ritual every single day without fail regardless of season. The water made his skin scream. Walker never got used to the shock. The heaviness went out of him through his heels and his mind focused.
He toweled off, dressed, and coaxed Grable out of her sleep and under his arm.
Any time of night the Narrenturm is a nightmare. The building had a corkscrew circular corridor that spun off twenty-eight patient rooms on each of its five floors. Dessert cake. Each room had slit windows that only a starving bird could contemplate for roosting. Escaping the place was as formidable as finding it.
After Walker had given a brief flash of his papers and had inquired after directions, the MP told him in factual German that Courtyard 6 was accessible from one of several entrances. ‘Take Alserstrasse, Garnisongasse, or Spitalgasse, and then consult any one of the gateway maps.’ It was just the right number of precise German details to confuse him.
In darkness and frustration Walker found the wrought-iron gate with a nice curvy snake that he thought was the caduceus. He looked at the serpent. Was it the caduceus of Hermes or the rod of Asclepius? He touched the single snake, ran his fingers across the diamond-shaped iron fixtures. Old man Hermes must have stolen back his staff and had just enough time to get away from the crazies with only one of his snakes. The caduceus, he remembered, had two.
Above him, darkness; ahead of him, in the curving hall as he climbed, voices. He saw Jack, who, intuitively turning his head to his shoulder, saw him before turning his head back to face forward, as International Police and some suits swarmed around, the air charged in a Babel of languages. Even in a crowd Jack Marshall stood out as a man not to crowd.
Walker went to stand next to Jack. Standing at ease – hands behind his back – out of habit. Jack uttered his words just audibly enough for Walker to hear. “The German word for magician is Der Zauberer. Our friend is a magician. He sets the stage, does his trick, and then poof he’s gone. No clues. Nothing.”
Approaching them were the four-to-a-jeep policemen, one representative for each of the national flags that controlled the city. They were reporting to the Inspector in their respective languages. Walker knew the Inspector would summarize the scene for him and Jack in English.
The Frenchman who wore a long haggard face from smoking too many cigarettes, spoke with a phlegmatic bass. The Brit recounted events in his reedy voice with an affected posh accent; no doubt picked up from the BBC back in Birmingham. The Russian, after he had spoken, stood at attention with winter in his face, whereas the American, a young kid, gave a smiling report, about as graceful as a southpaw in a room of righties. Walker’s ears listened for any German, keen for the second verb at the end of the sentence so he could understand what was being said. The Inspector scribbled notes with a very short pencil that took brevity to an art form.
Finally. In his lilting Austrian-inflected English: “Gentlemen, it appears we have an unfortunate scenario here. The victim was discovered this evening, two hours ago to be precise. The police arrived at the scene after hearing a tip from an informant that this facility was being used for black-market trading. Thinking that they might discover black-market penicillin or other commodities popular these days, they made this discovery. Our medical examiner is making an assessment as I speak.”
Jack and Walker remained silent.
The man continued as the four policemen lingered solemnly and choir-like behind him. “The victim in question was, according to our preliminary findings, a man of the medical profession with questionable ethics.”
“You mean a Nazi doctor,” Jack said in his tone of an officer weary of formality and needing facts.
The Frenchman murmured “Bosch” and covered his racist word with a cough. The Inspector’s eyes looked behind him without turning his head.
“Yes, a doctor. The deceased is said to have performed unseemly medical experiments on prisoners in the camps. He did horrible things to children, women, and particularly, Russian prisoners of war. Unconscionable.”
The Russian, a silent Boris, stared ahead without a flinch or thaw.
The Inspector with a modest bow of the head and genteel click of his heels handed Jack a piece of paper. It was a preliminary. Jack said nothing. His eyes took in the paper with a downward glance and he began the short walk to the scene.
Walker and Marshall entered the patient’s cell. The room smelled of something tarry. Some other men who had just been there left in whispers, leaving them alone with the doctor and the body. When the doctor, who was dressed in the all-black priestly garb of his profession, saw his helpers leave and these new men arrive, he switched from his native language to English the way an owl with fourteen neck bones moves his head in ways not humanly possible.
“How’s the patient?” Marshall asked the little man near the body.
“Dead a day or two by his liver temperature. Rigor has set, as you well can see from the positioning.” The doctor was making his own notes while he talked.
“Any thoughts to cause of death, Herr Doktor?” Walker asked, knowing that coroners had looked at enough mortality to be either humble or inhumanly arrogant.
The doctor used his fingers to show an invisible syringe and did the motion of pressing the plunger. Abgespritzt. Lethal injection. I would say, carbolic acid.”
“Sounds to me that would be a fast way to go, Doctor,” Jack said with his hands in his topcoat’s pockets.
“Not necessarily. Ten to fifteen millimeters of the liquid, if injected directly into the heart, should induce ventricular tachycardia in, say, fifteen seconds. Our man here was not so lucky. First, I found no such puncture in the chest. I did find, however, a puncture in one of the extremities. I would say this man took an hour to die. Look at him.”
With this pronouncement, the small birdlike man clicked his little black bag shut and left Jack and Walker inside the cell.
Walker’s eyes took in the history of the room. He estimated that the room was tall enough, walls thick enough, that a man could scream all he wanted and nobody would know he existed. He imagined centuries of such screams within this room and maybe some claw marks on the walls, too. “How did he get in here?”
“And what does the staging job mean?” Jack said.
The dead man was propped on a stool, naked. A metal T, evidentially meant for chaining prisoners, was behind him with one part of the cross bar holding his left arm secure while his right hand, bent in rigor, rested over his heart. The corpse’s left arm had received the injection, the head was cocked back, the throat muscles taut but the mouth closed shut in typical Germanic reticence. The eyes were clouded over, the light gone from them when the heart had stopped. The legs were neutral, the back straight in a way that any mother would be proud of such perfect posture.
Walker and Jack walked around the body without saying a word. In front of the corpse was an SS uniform, folded neatly in a stack. The shirt’s right collar patch bore the runic double lightning bolts, the left patch and matching right shoulder board said, with its three diamonds and two double bars, Hauptsturmführer, Captain. His .32 was holstered and accounted for at his feet, next to his shined-to-a-sheen boots.
Jack said nothing. His mind had already processed the scene.
They descended the stairway towards the exit. Both stopped to look at the display of the hydrocephalic baby inside a formaldehyde jar. Walker and Marshall stopped, looked at it, and said nothing, because there was nothing to say.
“What do you think, Walker?” was the question once they were outside.
“The Inspector said that this dead man was a medico but there was no serpent badge on the uniform. That tells me he wasn’t in the Medical Corps. He had to be a straight-up SS man, maybe with some medical knowledge or simply passing through the camp. But he’s no doctor, so I don’t know how the Inspector could say he was doing medical experiments, unless that report of his says something I’m missing.”
Jack answered, “It doesn’t. Anything else?”
“Those slacks,” Walker replied. “They had cat hair on them.”
“So the dead guy either had a cat…”
“Or the killer has one, because there are no cats here that I can see. Another thing: those clothes were pressed and regulation-folded. He wasn’t wearing them when he was killed. Besides, nobody would walk through Vienna these days with that uniform. They either were placed in front of him as he was dying, or after he was dead. It’s all staged to make some kind of statement. Question is, where did his street clothes go.”
Jack touched his breast pocket, where the Inspector’s report rested privately. “We have another problem, Walker.”
“And what might that be?” Walker thought he knew what Jack was thinking but he waited.
Jack was quiet.
“What? You want me to go chase down an orange tabby?”
“Relax, Walker. That Inspector’s report is in German. That’s why I didn’t show it to you.”
“So my German isn’t perfect, but I can manage. What does it say?”
“It gives us the man’s name.”
They stood outside together as the sun was arriving.
“That man…” Jack pointed with his eyes upward to the stone turret from hell “was on our list. Either way we’ll never be able to talk to the Captain.”
“So what’s your recommendation?” asked Walker, afraid of the answer.
They walked to the curb together. Jack had hailed a cab, opened up the suicide door, got in, but delayed the driver with a few words in German, and from the car window said to Walker, “Talk to Leslie later to see what she thinks after I get tonight’s details to her. I’ll get a report on your desk that might interest you.”
He banged on the side door as a signal to the driver to take off.
When Jack Marshall is made station chief in Vienna, Austria, in 1948, his task is to locate former Nazis, question them about the Soviet atomic program, and send information to The Company, aka CIA. However, a Nazi on Jack’s list is found murdered – and he’s just one of many The Company had wanted to investigate.
Even with help from an unlikely source, Jack is running out of time: sensitive information is stolen, a member of his team is missing, and one of Jack’s superiors demands answers, and Jack isn’t sure he can trust the man asking the questions. Everyone has an agenda, be it money, revenge, recognition, or political advantage. Staying alive in Vienna may just be harder than the battlefield.
Dark allegiances, murder, and espionage in the early days of the CIA begins with The Good Man, the first book in The Company Files series.
Reviews
“The story has classic elements of noir fiction with hardboiled main characters, a post-war setting, espionage and crime with an unexpected femme fatale that surprised me. I’m also happy to say that unlike the norm in this genre, there is no profanity or excessive violence in this novel…If you like noir fiction, espionage historical fiction that is atmospheric and leaves one pondering moral dilemmas then this one’s for you. An absorbing read to be sure, one that immerses the reader into a world filled with political intrigue, shady characters, and the need tofind one’s place in a world struggling to regain its footing in the aftermath of WWII.”—Library of Clean Reads